Orlando was there, and he had some things to say. A lot of people complained about the way the show went into the ethnicity of the show, but I liked that. But without Bryan and Michael, you had something else going on. And then, they left the following year, for whatever, and I can’t go into that now because it’s too long ago and too complicated, but you want the show to be a bit better when you’re contracted to it. The first year, it was 2016, so it was all of the build up to the next election in the States and the influence that had on the show because of the writing of Michael and Bryan. Even if you thought of it one way before, because something else had been happening in the world at the time, it feels different as different things go on around us. This show also changes and feels different, according to what’s going on in the world. I didn’t know the book before I got offered the gig, so it was a pleasure to read it and go, “Wow, this could be really interesting.” It’s been different every year, and I’m all for that. It’s been fascinating to see how you can include that in Neil’s vision of his apocalyptic version of this metaphysical life. People talk about the show as if this was all in the book, but none of the technology was there. IAN McSHANE: Even though was written 20 years ago, before any of this New God technology came in, it’s fascinating how it’s all been brought into the story. He also talked about being a part of the John Wick franchise, his experience making Hot Rod, and why Deadwood was so special.ĬOLLIDER: This show has had a different feel to it with each season, especially as the characters travel around and the locations change.
Hiding out from his destiny in the snowy town of Lakeside, Wisconsin with the desire to forge his own path, Shadow soon learns that he can’t ignore or escape his ancestry.ĭuring this 1-on-1 phone interview with Collider, McShane talked about being a part of a show like American Gods that’s different every year, the shifts that have come with each new showrunner, the complicated Wednesday-Shadow dynamic, and why he thinks it’s important for the show not to rely too heavily on special effects.
#DEADWOOD SEASON 3 EPISODES LIVE STREAM SERIES#
Based on the best-selling and award-winning book by Neil Gaiman, the epic saga of the inevitable war building between the Old Gods of mythology and the New Gods of technology continues with Season 3 of the Starz series American Gods, as Shadow Moon ( Ricky Whittle) comes to terms with the fact that Wednesday ( Ian McShane) is not only the Norse god Odin, but that he’s also his father.
0 kommentar(er)
